10 pointers to painting with watercolor - which paper towel is the most absorbent
Start with the right tools and improve 10 tips for watercolor painting.
The process of drawing is to turn water into your friend.
If you want to achieve a spontaneous, loose look, your paint must have the freedom to flow and move freely.
My mantra becomes "fly, free" because many of my students are afraid of water. Jump in. It won't hurt.
So what if you created something that wouldn't hang in the blinds or even in the house?
Not for this.
This is about the fun of painting.
The combination of colors brings you much more freedom and happiness.
Then, if you end up with a masterpiece, or even a happy accident, it's an extra bonus.
Many of the pictures I did were planned on the last detail before I started, but sometimes I like to pour paint on paper to see what it would do before I knew what I was going to apply.
This is spontaneous.
This made it impossible for me to get some "happy accidents" through my plan ".
This free way is the direction you should work on.
First of all, you may want more control. That's okay.
In this article, we can explore several creative paths. 1.
Use photo reference.
Why not copy a photo?
There are several reasons why the photos are not completely copied.
One of the main reasons is that none of the cameras can capture the entire scene accurately or perfectly.
Even if it is staged, what can the artist do to change it (If perfect.
Another reason is that many times the camera will distort the perspective in the building, or a certain low or high angle of the scene that only the artist can correct (or Photoshop).
I think it's more interesting to put the parts together.
The sky on this photo, the trees on the photo, and the House or people on another photo.
The only thing the artist has to be careful about is to make sure that the light, shadow and perspective match the final picture.
In this painting, I completely copied the picture and did not notice the distortion of my brother --in-
Until I finish it, the arm and torso of the law.
It could have won the prize except that mistake.
I was very shy when I was at school.
I find it impossible to speak to people I don't know, and I feel grateful and gratified when I find my language in art.
It is expressed through lines, designs, contours, colors, shapes, and themes.
I remember drawing snakes when I was scared or angry, especially Cobra.
When I felt happy and energetic, I drew sketches of deer jumping and jumping on paper.
My voice caught my attention and even won some awards for me.
In the end, I overcame the fear of speaking, but art is still my first language.
I like to say that I am bilingual and English is only my second language.
You should look at your painting like this.
You're talking to an invisible audience. what do you want to say?
Do you tell them about yourself?
About your life?
About your love?
About your sadness?
Think of art as a language you are learning, just like any new language, the more you practice, the better you will be. 2.
Space for painting
Set up a place for your art.
My advice is to find a place in your home to keep your work and paint undisturbed.
Set it up and put it there.
It will invite you to draw at some point, and when you have to leave it to deal with pressing issues in your life, it will be there waiting for your return.
If you have to set up paint and brushes, water and paper every time you draw, then it is unlikely that you will sit down and indulge yourself. 3.
Draw for yourself
Draw your favorite picture.
If you are passionate about what you are doing, you will find that your audience will also see the passion and be passionate about it.
No matter what you do, try not to compare yourself with others, including myself.
This will make you afraid to continue.
Remember, there will always be people who are better and more experienced than you, and those who have just started to know less than you.
Be satisfied with yourself and today's work, while trying to make tomorrow better.
Most importantly, allow yourself to draw a "failure" or picture that you do not intend to keep.
I have a lot of this.
I call them unsuccessful experiments.
I keep some just to remember what not to do next time.
If I do, I believe everyone does.
The hardest part about selling artwork is that you should paint what others might want, not what you want.
It's hard, but I found that no one came to me unless they liked my style, so they wanted what I could do for the painting.
It helps to some extent to paint what they want because of the way they want me. 4.
Starting with your tool, what and what we use to draw will have an impact on the result of the painting, so I start with the tool for the transaction.
The artists have their favorite color combinations and his/her favorite brushes, so it seems a bit presumptuous to tell you what you should buy and use.
There are thousands of brushes on the market, with dozens of colors and brands, which can be a bit confusing in the first place.
I will list my favorite here and hope that as you become more ambitious and confident you will try something of your own choice.
I love the Winsor and Newton Bachmann brands because they are good real colors and are affordable at the same time.
Reeses is also a good brand with affordable prices.
But prices fluctuate and change regularly, so you may find a brand that is more affordable. I prefer a 10-
My watercolor tray, arranged colors like a rainbow, started in red and ended in purple, retaining the last three wells for the earth tone.
This arrangement makes it easier to find colors and creates a logic diagram for my brain.
A lovely deep red, transparent and smooth.
Permanent rose: dark pink, perfect for flowers.
Cadmium Red Pale: a kind of very orange of color.
All the caddies are orangey.
CD Orange: yellow orange.
Lemon yellow: Real Yellow. Very lemony.
Hooker Green, light: true tree Green, great for nature.
Hooker Green, dark: darker than light Green, but still true to nature.
Dark blue: a pure blue color, sometimes referred to as the French group.
A bright American flag Blue, sometimes called Thaylo Blue.
Prussian Blue: dark blue, midnight, perfect for making shadows on trees.
Purple Lake: a wine of violet color, a true deep purple color.
Yellow och: Tan, sand, half
Opaque and perfect for many natural scenes.
Scorched soil: dark brown, good in nature, mixed well.
Indigo: dark blue, almost black.
A good alternative to paint flat black.
Light Black: a kind of black, flat, lifeless, can be used in small quantities because it is not well mixed.
You will find that there is a 1-
Large inch apartment. The 1-
Inch Flat works as a mop because it has a lot of water and can spread smoothly without often reinstalling the paint. A 1-
Inch-flat is also useful for entering corners and places where straight lines are needed (such as the ocean horizon.
10 or 12 wheels are the most versatile brushes.
It makes a good point, and then can make some wide lines and fill a large area without changing the brush.
It is useful to have at least one thin line brush for your signature and other details.
I would advise you not to get anything less than 4 or 5 rounds as you will find yourself constantly reloading smaller brushes.
Try not to get a rigger, it is a long hair thin line brush.
Unless you 've already worked with a person and know how to manage it, these are all difficult to handle and master.
Sometimes, for small things like bricks on walls or woven baskets, 1 inch flat is also helpful.
But his brush isn't that versatile, so it's not that important if you're cutting corners. 6.
Paper student grade paper
High quality archive paper has a lot of weight and color.
There are several white options even in white.
Avon white, bright white, natural white, eggshell white, etc.
In my class, I like to bring classic natural white for 80 lbs.
The natural white has a little color, a little light brown or gray white.
The bright white is too white to stare for a long time.
I purchased these in the "parent table", which refers to the paper purchased directly from the manufacturer before the paper was cut into reams.
The parent table is 23 "x 35 ".
Classic is a brand, but also mentioned that paper is used to create files.
Deckle is like a huge sieve that filters a thin layer of paper out of the water tank.
In the paved deck case, it has a long wire crossing every inch or so.
This leaves a unique pattern on the paper.
I chose the classic layout because it has the texture to support the paint and has the finish so the paint doesn't soak directly on the paper too fast.
Good watercolor paper keeps most of the paint on the surface and does not allow it to penetrate.
The classic laying, however, is a kind of pulp paper that makes it affordable for students, but is not very good for masterpieces you want to keep for more than 50 years.
It will turn yellow as it grows older.
Wood pulp vs 100% ragWhen you buy your own documents and you will find that most of the documents are available in the art shop and the quality of the files is 140 or better.
The file quality paper is made of 100% pieces of rag and no pulp or tannins will turn yellow as you age.
The documents will continue in the coming 500 and remain true white.
They are also much more expensive than pulp paper.
The weight of the paper is measured by the weight of 1000 sheets of paper. A higher quantity means a thicker sheet of paper.
When you draw with a lot of water, it is unlikely that the thicker paper will bend and twist.
However, even twisted paper can be leveled again with a few books (telephone book)
A little more time.
The 80 sheets I use are for class projects, but try to feel it with some of the more expensive 140 sheets if you want. Hot Press vs.
Good paper also has the difference between Hot Press and Cold Press.
This refers to the way paper is made.
After the pulp is removed from the deck, place it on the press to squeeze out the excess water.
Hot-pressed paper is usually smoother than cold-pressed paper.
I like the cold press of the scenery as it has a lot of texture to hold the paint.
However, if I was planning a portrait, I would probably choose a hot press so there would be less texture ups and downs on my face. 7.
You may have seen a video of the artist preparing a paper drawing.
They soak the paper in the water for about 15 minutes, then stretch the paper onto the board, bind and tape the wet paper down, waiting for it to dry.
This long process does not bend the paper during painting.
Since my students don't have time to spend on this, we usually skip this step and flatten our distorted drawing after they have dried it.
You may wish to try this stretching method one day, but it is not absolutely necessary to finish a wonderful painting. 8.
Water cups are an important tool in your painting process.
You should pick short cups for your desktop to reduce the possibility of tilt and overflow.
You also don't want to leave a brush in a short cup that way and put your hair down. The real-
If the hair does not curl permanently, the brush cannot stand in the water.
You don't want this.
Curly hair is hard to draw.
Leaving a brush in the water will also turn into water.
Log in the wooden shaft or handle.
When the handle expands with water, dry the iron sleeve or metal sleeve with hair, and the hair will become loose and eventually fall off.
It is wise to drink two glasses of water near you to draw.
One is immersed in clear water and one is used to clean the brush.
I also like to put a bucket nearby in order to replace the mud as much as possible.
I saw artists using a large bucket of gallons of water instead of two small cups.
Then they clean up the brush and dip some water and mix it from the same jar.
It makes sense if there is a gallon of water and it won't get contaminated quickly, but I still like to use small cups.
Every artist should choose something that is comfortable for him/her. 9.
Towel absorption towels can easily clean the brush between colors, can also clean up spills or clouds in the sky, etc.
You can choose whether the towel is cloth or paper.
I use cloth in class as they look more cost effective and eco efficient.
I just threw them in the washing machine and they came out like new ones.
However, when I was painting outside, I was clean with paper towels --up is easier.
10: Art masking liquid-
Very valuable tools.
This is a very useful substance that saves the white color of the paper for you.
It continues like rubber cement, but peals fall off easily as long as the paper is completely dry.
If the paper is still wet, it tends to peel off some of the paper with it.
To apply this liquid on paper before painting, you must use the "discard" brush.
The fluid is made of liquid latex and quickly and permanently dries in the brush.
Unless you first process the hair of the brush with soap, you do not want to use your best brush so that the LaTeX does not stick to the hair.
Even so, you have to rinse and apply more soap often before you dip in the masking solution again.
I draw small flowers or thin lines that you want to keep white in this way.
Before painting the background, the lashes and beards of these zebras were covered.
That's how they keep white.